In Saat Sakkam Trechalis, Kiran Nagarkar sets fire to the pages. Each paragraph tentacles into the middle of the next one, foreshadowing, bathed in spoilers left open like wounds.

And further down, there are rocks and crabs and the tetrapods. Those tetrapods that saw me drown. Exam time in Poona. Past midnight, when I switched off the light and went to bed. Into the sticky green sea of words and sentences from the book on politics I had been reading. So sticky and thick that no waves moved over it. And I, up to my neck in it. Not far from the shore but far enough for my feet to be off the ground. Struggling desperately to escape the glutinous green that stretched as far as the horizon. The sea would neither swallow me nor let me breathe. And the leviathan tetrapods watched.

And after a few more lines (or maybe just one) I omit for fear of copy-pasting the entire paragraph.

The place where you're born, the town, the village, means a thousand things to you. Every spot, every corner holds a memory. Here you stamped your feet, banged your head and cried, there you threw stones to bring down the mangoes. You played doctor behind the schoolhouse, sat for your school leaving exams a few yards away. Learnt to swim in the Mahatma Gandhi pool, got married at the Town Hall. Every event, every memory is a dialogue between you and the place where you have lived. And although your city, town, or village may never play a leading, or even a secondary part in your life, the fact that it is always present makes it the fourth dimension of your consciousness. My memory holds a lot of Bombays. But the Bombay of the tetrapods is not one of them. That Bombay exists separately, and has an independent life.

From 7643

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If things were to go to plan, the eenth wouldn't have offered us this view of things. Not this easily, anyway. Things went way off plan and when it rained, the rain forgot the pauses in between when the couples and the not-couples and the retail-cigarettes-seller and the two kids who got their bicycles out just as the first drops came down, could move on to the next unloved roadside busstop. During the night, the adequately bass-ey crash betrayed something bigger than a wannabe coconut falling on something that we didn't want coconuts of significant sizes to fall. We hoped ourselves back to sleep; maybe it was another overripe jackfruit left for the squirrels to finish off and in their haste they started to gnaw off from the stalk down.

The twin cycads share their elevated cuboid of yellow-red earth off to a side of the courtyard. Unwilling to stand each other, parting ways centimeters off the ground, one leaned on the kitchen terrace as it bore fruit, the other missed the stay-wire and the odd areca palm leaf hanging on to the thrill of being airborne, till the time it gave up and met the ground again like an awkward ex-lover.

In the morning the courtyard had an isosceles triangle stealing a kiss from the newly transferred passion-fruit pot, leaving the pot in one piece and putting the hungry young shoots in their place. We figured the tree (shy of a couple of hundred of years, at least, going by the marks old leaves left) must have soaked through as the wind finished it off, bending it where an enterprising hornbill had many party congresses ago claimed shelter. We call the tree-feller for advice after we cut the leaves out and sort them for a possible stint at decoration and nod to each other as he says the geometry is best left untouched for a while and the chainsaw is too delicate for wood like this.

The palms are good places for a cat to find some purchase. Miss K runs up the leaning one after a few scratches to its base and runs off into the overgrown kitchen terrace garden. She then sneaks off the roof down the palm as I climb up to see if the naughty, silent tom isn't waiting for a chance at showing off. Today, she looks up at the fallen one, is not happy as I lift her up to the wreck and spends a moment examining her dominion as the slope leads nowhere.

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The new leaves take us by surprise. The neighbours, passing, ask for a sapling for after the rains. It rained overnight and the sprouting leaves hold onto the memory of what came down as if the sky isn't going to break all day. It is a pauseworthy sight as the morning sunlight erupts into a million (definitely fewer) little pieces through the new leaves and leaves tiny copies of an upside-down sun all over the passion-fruit. Then the rain comes back looking for places it left dry and washes off the beauty along with the dust.

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Cover artwork. Insight 19.1, September 2016. The insides talked about the (then) Pokemon Go craze, proposed fee hike (200%), Instant Messaging (I think), conversations on equality and LGBTQ affairs in the campus and Intellectual Property Rights. The format (tabloid) and the paper stock (newsprint-ish, uncoated) were what made me get into the design team and I stayed for the little meetings the team had over tea, people talking in tongues and the endless debates over the correct way to align paragraph text (left-ranged, of course).

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Proposed, for 70 Years of Independent India.

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I love stolen glances at other designers’ workspaces/screenshots. There were plenty from The Church of London in their LWL: Black Swan video. There was one on Flickr with twin monitors; one artboard and the other with panels expanded. Here is mine from a two-day-sprint-to-finish on this 36 pager for QA. Bonus: appropriately christened workspace.

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