The Course Abstract from Typography-1. PDF here.
I’m really, really glad I agreed to talk letters for four agonising (I presumed), exciting (I still hope) and terrifying (so very true) weeks. The students, a decade younger, are already teaching me so much in so few words I come home to the unnecessary luxury of a double bed (wrapped in shades of baby blue, wrapped in eerily perfect, wrinkle-free solitude) and crash face-down for tens of minutes of ignorant bliss before V calls out with the day’s menu. It sounds all the more boring to listen to a list starting with chapaathi and always managing to segue its way into daal after a day of counter-spaces and anti-counter-spaces and minor introspections on the nature of form. It is Gurgaon all over again, sans the smiling people on the billboards and no signs of Miss K. The flat-builder’s misplaced sense of irony finds a moment of relief as I realise how sharp and depressingly ordinary all the longing these walls flush out come morning after smoky morning. We live in a building named after pine trees. There are others named after trees named after themselves. It rains on most mornings, except when I can’t be bothered to go out for a run.
The class is an amorphous being and refuses-outright and with more than a hint of absolute contempt-my pathetic attempts at well-worn jokes. Some students pour their heart and sufficient midnight oil out into sheets of straight lines after not-so-straight lines. Some of the faces fill my head with questions. Questions I would like them to ask (me, each other) and they never will, questions I should’ve asked someone long ago and never gathered the innards to and never did, questions to ask later to never be remembered off context.
As always, DFW drives the point home in slow, well-chosen words and well-placed shrugs. (Link)
I stare at a K drama all the way through the kisses and catch myself counting sheep. I do feel like a child.
In Saat Sakkam Trechalis, Kiran Nagarkar sets fire to the pages. Each paragraph tentacles into the middle of the next one, foreshadowing, bathed in spoilers left open like wounds.
And after a few more lines (or maybe just one) I omit for fear of copy-pasting the entire paragraph.
If things were to go to plan, the eenth wouldn't have offered us this view of things. Not this easily, anyway. Things went way off plan and when it rained, the rain forgot the pauses in between when the couples and the not-couples and the retail-cigarettes-seller and the two kids who got their bicycles out just as the first drops came down, could move on to the next unloved roadside busstop. During the night, the adequately bass-ey crash betrayed something bigger than a wannabe coconut falling on something that we didn't want coconuts of significant sizes to fall. We hoped ourselves back to sleep; maybe it was another overripe jackfruit left for the squirrels to finish off and in their haste they started to gnaw off from the stalk down.
The twin cycads share their elevated cuboid of yellow-red earth off to a side of the courtyard. Unwilling to stand each other, parting ways centimeters off the ground, one leaned on the kitchen terrace as it bore fruit, the other missed the stay-wire and the odd areca palm leaf hanging on to the thrill of being airborne, till the time it gave up and met the ground again like an awkward ex-lover.
In the morning the courtyard had an isosceles triangle stealing a kiss from the newly transferred passion-fruit pot, leaving the pot in one piece and putting the hungry young shoots in their place. We figured the tree (shy of a couple of hundred of years, at least, going by the marks old leaves left) must have soaked through as the wind finished it off, bending it where an enterprising hornbill had many party congresses ago claimed shelter. We call the tree-feller for advice after we cut the leaves out and sort them for a possible stint at decoration and nod to each other as he says the geometry is best left untouched for a while and the chainsaw is too delicate for wood like this.
The palms are good places for a cat to find some purchase. Miss K runs up the leaning one after a few scratches to its base and runs off into the overgrown kitchen terrace garden. She then sneaks off the roof down the palm as I climb up to see if the naughty, silent tom isn't waiting for a chance at showing off. Today, she looks up at the fallen one, is not happy as I lift her up to the wreck and spends a moment examining her dominion as the slope leads nowhere.
The new leaves take us by surprise. The neighbours, passing, ask for a sapling for after the rains. It rained overnight and the sprouting leaves hold onto the memory of what came down as if the sky isn't going to break all day. It is a pauseworthy sight as the morning sunlight erupts into a million (definitely fewer) little pieces through the new leaves and leaves tiny copies of an upside-down sun all over the passion-fruit. Then the rain comes back looking for places it left dry and washes off the beauty along with the dust.
Cover artwork. Insight 19.1, September 2016. The insides talked about the (then) Pokemon Go craze, proposed fee hike (200%), Instant Messaging (I think), conversations on equality and LGBTQ affairs in the campus and Intellectual Property Rights. The format (tabloid) and the paper stock (newsprint-ish, uncoated) were what made me get into the design team and I stayed for the little meetings the team had over tea, people talking in tongues and the endless debates over the correct way to align paragraph text (left-ranged, of course).
Proposed, for 70 Years of Independent India.