On-camera oversaturation—with the Vivid Velvia film simulation mode—on top of a by-monsoon oversaturation. Shot on the battered Fuji X20; there is some poetic justice left in that.

I overestimated how much reach the calipers needed and wore the decals before moving back to the one-brake-life. The (geared and adequately clad in brakes) FC sees more of the road these days, yet it is so much nicer to break into a sprint on the #F00 when all you have to worry about is how far it will take for the braking to kick in.